The Magic of Texture and Color

For all of our adult lives, Robin and I have been interested in mythology, symbolism, nature and meditation.  From the I Ching to the Tarot Cards, the poetry of Rumi, the way of the Samurai, Mother Earth Spirituality, and the teachings of Jesus we glean wisdom to live by.  Our collaborative art has I suppose been more than anything else, about making meditative icons.  We seek to make art of quiet contemplation to enhance living and working spaces.  Our newest sculpture places Robin’s patina work on center stage.  Making bentwood frames which he clads in copper or brass he’s been exploring wrapped patinas with hammered surfaces.  The result has been remarkable.  We’ve added found objects, enamel on copper and some painted wood elements to his designs.  Our new work can be seen Sept 7-9th in Clayton, MO at the highly esteemed St. Louis Art Fair and the following weekend, Sept 15-16 in Naperville, Il at the Riverwalk Art Fair, as well as on our web-site http://www.WolfCreekStudio.com

A Study in Texture 24″ x 60″

New Beginnings/Solar Flare

Some sculptures have a history and one of our newest ones is a perfect example.  We made “New Beginnings” and finished and signed it New Year’s Day 2014.   I never quite felt satisfied with it.  We rarely showed it in the several years since.  But just recently we did and someone liked the concept, but in different colors and with the “waves” horizontally positioned.  Se we removed the orb, the stainless, brass and copper.  I’m using those elements on another backplate, in a different color palette for them.   In the meantime, I’ve used this backplate and made a new square and added an enamel on copper orb.  The old version is here and the new version is below it.  The new one will be shown this weekend in Highland Park at the Port Clinton Art Fair.  It’s called “New Beginnings/Solar Flare”.New Beginnings euntitled

 

Nature as Inspiration

Ask any artist and you’re likely to be told that they’re inspired by nature.  It’s a given.  Nature is full of wonder and for artists it provides an impetus to create.  We see color, line, form and texture and it gets incorporated into our drawing, painting, and sculpting.

When Robin and I moved onto our 20 acres of woodlands, we immediately began sculpting the landscape by adding shrub borders, flowers and vines.  We relied heavily, though not exclusively on native species in order to support an abundance of wildlife.  Using the “architecture” of the rolling landscape and the tall trees we were blessed with, we’ve created habitat for more pollinators–bees, butterflies, moths, and birds.  We’ve added water features for amphibians, reptiles, dragonflies and fish.  Brush piles in various places in the deep woods provide habitat for mammals.  It’s all good for the health of the environment.

A walk through the “yard” area (approximately 3.5 acres) surrounding the house and studios will give you glimpses of countless species of birds, lizards, amphibians, fish and mammals.  The sights, sounds and smells provide a soothing experience of nature at its best.  We can not help but be inspired to create work that embodies the balance, texture, colors and forms of Mother Nature.  Our collaborative work is all about these things.  It is a discipline based on meditation.  From the crackled surface of the pond mud to the bark on the trees:

New Cosmos Series

Books are the physical embodiment of knowledge and enlightenment, the teller of stories, the keeper of secrets, and ultimately the record of our history.  These sculptural icons are our interpretation of this important cultural symbol.

Our little copper books are fun to make and delightful to many patrons.  Each book is a 12″square of wood, clad with copper and then hand-hammered or embossed with texture.  On each we make little books with copper pages that are bound together with silver wire and have a colorful backing.   The pages are hammered on the edges and then usually embossed with an elusive script to add mystery.  In the case of our newest ones, the pages are embossed with readable messages.  The first new set is a Cosmos Series and shown here is the first.Other little books that go with this one say Moon, Star, Sun, Venus, Comets.

 



Bentwood Sculpture

Many years ago, I began making bentwood frames for sculpture.  The process involves making a framework over which a specialty laminated wood can be bent over the frame, clamped together and left overnight for the glue to cure.  Shown here are a couple of the bentwood sculptures I did in the past.

 

 

 

 

 

 

 

 

More recently we’ve made some bentwood sculptures like these:  

 

Loyal Patrons

With the sad news of the flooding in Houston, I’m reminded of the wonderful Texas patrons we have.  Though we’ve never done a show in Houston, we’ve done several shows in Austin and the Dallas-Fort Worth area several times with my work, Robin’s and our collaborative work.  Some of my most loyal patrons are from Austin, Richardson and the Fort Worth area.

Just this spring at the Northern VA Fine Art Festival in Reston, a couple  walked into our booth and with a surprised look on their faces, inquired if we’d done the Fort Worth Art Fair 15 years ago.  They recognized my surfaces, and coincidentally we have now returned to the boat shape, something we worked on many years ago.  They told us how much they’ve enjoyed the sculpture they purchased then and informed us of their “canoes” voyage from Texas to St. Louis, Mo and then on to Reston, VA.

 

Ark installationThis is the sculpture they purchased in Texas, and much to our joy, they purchased a little gondola with calla lilies and a copper base on that spring day this year in Reston.Gondola w callas

New Work for Phil Museum Show

“Serenity” is finished and she turned out beautifully.  She’s one of our new cargo vessels.  The Cargo Vessel Series carry something symbolic on their deck–a gift, a boon a treasure in the form of a nest or flowers.  “Serenity” has a recessed deck carved to simulate gentle ripples on the surface of the water.  She has hand-painted clay flowers on a hull of carved basswood with a crackled and painted finish.  The open flower has silver wire stamens and the boat rests on a walnut base.

While the symbolism of the water-lily varies from one culture to another, it is interesting to note that the scientific name for them is Nymphaea, from the Greek word for nymph referring to the feminine spirit inhabiting bodies of water.  In this sculpture I’ve chosen the water-lily to represent the importance of nature on our journey.  For me personally, it is also representative of my teenage daughter, the would-be marine biologist, whose life was lost in the water, during the bloom of the water-lilies.

detail-serenity

serenity-detail

 

 

 

 

 

We are also showing the first two sculptures from a concept by Robin, called “The Life Boat Series”.  These boats will all have a box, sometimes hidden in the hull and others carrying it on the deck.  The box is for the interment of a loved one’s ashes or mementos of a life.  Shown here is “Reflections” which carries a hand-hammered and patinaed copper box with a clay scarab, symbol of eternity.  This box may hold a portion of one’s ashes or wedding rings or other mementos.  reflections

 

 

 

 

“Voyager” has a hammered copper clad deck and a large hidden box within the hull.  Resting on the lid, is a copper nest, home to a single golden rose, symbol of love.  voyager voyager-detailThese sculptures and more will be exhibited in our booth Nov 10-13 at the Phil Convention Center, in the Philadelphia Museum of Art’s Fine Craft Show.