Studio Hustle

In the depths of Winter Robin and I are each pursuing our own goals.  Robin is showing solo, a decision we made jointly last year.  He has come to like cladding copper over wooden supports–it is much lighter weight than his previous work.  Before we began collaborating 6 or 7 years ago, his sculpture was a much heavier copper, brass or steel sheet that he mounted onto bronze or steel angle framework.   He still intends to do some of that, but most of his new work will be copper cladding. We had to stop showing his former work because I had three accidents, one surgery and one broken bone all in one year and could no longer safely help him load and unload the van, set up the booth, etc.   So, yes I wrecked his career, just when he was creating marvelous work, getting into all of the top shows and winning important awards.  As I type I can hear him in his studio, tap.tap.tap  In two weeks he’ll be headed for Winter Park, FL for their wonderful show.  He will be taking new work that you can see here in progress:

2′ x 5′ Bentwood, copper clad

Several new 12″ Expressions undergoing patination

Meanwhile I’m having a bit of a second childhood playing in clay.  My latest sculpture is one with the working title “Tree Woman”.  She’s small, only just over a foot tall, without a pedestal.  Haven’t decided how she will be finished after firing. 

 

Robin’s New Work & My Retreat

The Other Side

After a 6 year hiatus, Robin will be showing his incredible patinated metal art next year!  We’ve been collaborating since 2012, a decision that was made after breaking my elbow, having shoulder surgery, a torn bicep tendon and 2 dislocated fingers.  I couldn’t help Robin hang his work at the shows, because at that time, all of his work was very heavy, being made from a heavy gauge copper or brass with bronze angle framework on the back.  During the past 6 years he’s learned more skills and come up with ideas for making his work much lighter weight.  Some of the metal will be clad onto bentwood frames to give added dimension and all will feature his extraordinary patina work that is very painterly in approach and feel.  I’m so excited for him.  During the eight years he showed his work he did it all—got into the nations’ top shows, sold well and won many prestigious awards, including Best of Metal at the Philadelphia Museum of Art’s Fine Craft Show.

I will be taking a much-needed retreat from the art shows.  I’m getting burnt out from the relentless pushing of a theme for the past 25 years.  Not many people outside the profession understand the hoops an artist must jump through just to get into the shows.  The part that is holding me back just now is that it can be a whole year or more from the time you finish a piece, photograph it, apply to shows with 5 or 6 other pieces that all visually make sense together and then actually do the show.  This makes it very difficult to explore different avenues, as the work you have in your booth must be like the images you juried in with.

I’ve got a persistent urge to work in clay, probably stemming from my pre-school years spent making mud pies!  Several years ago I did a series of clay torsos which was a very emotional response to my family situation.  Having moved on past that, the clay work I’ve done the past couple of years making flowers for our wooden boats, isn’t enough for me.  So while Robin shows his metalwork next year, I’ll be on a self-proclaimed sabbatical, exploring new themes.  I will accept commission work during this time, for anyone that wants a boat or Jewelry for the Wall sculpture.