One of the most frequent questions I’m asked by visitors to our booth is how we come up with our ideas. I can tell you they aren’t forced. When an artist sits down to create something new, it doesn’t come out of thin air and it cannot be forcibly willed into being. Rather, several things must come together simultaneously and that creates the magic. For success, the groundwork must be laid and that means many hours and years of simply making—making work, utilizing tools, experimenting with mediums, drawing, painting, sculpting endlessly. Whether the end result each time is good or poor or great doesn’t matter as much as putting in the time. With that experience comes priceless abilities, obtainable in no other way. It is a growth that builds upon itself endlessly. In that process the artist develops the mental and physical tools necessary to bring ideas into the physical realm. It makes possible the transfer of something ethereal in the mind into an object in the “real” world.
Secondly, every person is a result of their own unique physiology and life experience. As an artist, everything you produce is a result of these two entities. All of your life experiences come together to produce the current you. There is no way around that, for good or bad. Every decision, every occurrence changes the person that you are. And your own unique physiology reacts to every decision and experience further evolving your mind and body. Therefore the art you create is a direct result of that life experience. And it is a reflection of your philosophy, whether you consciously realize it or not.
All of that process is necessary, but it’s not enough. Creating is not copying an idea you’ve already executed, or copying someone else’s idea. Creating is stirring the pot and dipping out something fresh. Of course you’re influenced by other artists. That’s not only inevitable, but actually a good thing. The key is to keep it as an influence not a replication.
There is a wellspring that is bottomless and it is within every person’s reach. Tapping into it is necessary for creative growth, but the connection can be fugitive. When it happens its magic. This is what I mean when I say it cannot be forced. It flows into your thoughts when you prepare the mind. You have to allow it to come forth into the “light”. This usually occurs in a relaxed state of mind—often when the eyes are closed and you allow unimpeded wandering. Day dreaming is not a waste of time as some would have you think. And often images come into my mind just before falling asleep. Sometimes it’s erratic, with a quick flash and then it’s gone. Other times when conditions are more perfect one can tap into a flowing stream of images and ideas. Getting those down afterwards in sketches and notes is crucial to remembering the gist of the idea as well as the specifics. And then you have the start of a series and more ideas will flow from that, if you return to that elusive universal flow of energy. We are blessed and it is important to remind ourselves of that.