In All Her Glory

So my concept began with the idea of using the female torso sculpted in clay to express  the nature of our relationship to the rest of the planet.  Historically, humans have related to the creative force of the universe anthropomorphically.  It’s a concept that makes sense to us on several levels.  And in the 20th Century there was  a theory put forth by the chemist James Lovelock and the microbiologist Lynn Margulis in the 1970’s.  On its most basic level it is the idea that the Earth is a living organism, of which we are a part.  It’s a theory that’s never garnered much appreciation, however it had a big and positive impact on my world view.

Loosely interpreted, the theory can support the image of Earth as our mother, a goddess, that provides us with an idyllic world in which to thrive.  Now that we humans have the capability to destroy that world, it begs the question what are we going to do with that power?

And so for this first sculpture I chose to start in a very straightforward manner, marrying the image of the goddess’ body with a garden.  And so early last month I started hand-building the earthenware.  I use a grey clay, that fires white–the perfect base for later finish work with colored pigments.  It’s been 2 years since I last worked in clay, and I am anxious, impatient and rusty.  The result is I built the slabs a little too quickly at first, resulting in some slumping.  My philosophy is that what I lack in skill, I have to make up in creative adaptation.  What began like this,

Beginningended up looking much more voluptuous like the Venus of Willendorf, which appealed to me anyway, so I moved on to the making of the garden.

In the Beginning

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